看一部烂片浪费两小时都被这一部救回来了特别留意到executive producer有托德·海因斯(一个信号)左耳耳环粉色里衣并腿斜坐在副驾驶座“I miss you Mark. I miss you really really bad.” 而选择回归heteronormativity的Mark只能在谈泪滴宇宙时从旁偷瞄几眼怀孕的女人知道一切
Driven almost entirely by dialogue, full of Mankiewiczian wit, a portrayal of power struggle between the creative and the institutional. Is the lovable loser really a lost genius or is he just beating on a dead horse?